Tag Archives: Event of Interest

Join Us: Workshop on May 2 with Ellen Gruber Garvey

May 2 Writing with scissorsIt is with great excitement that we invite you to our upcoming workshop with Ellen Gruber Garvey, Professor of English and Women’s and Gender Studies at New Jersey City University and the author of a new book, Writing With Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance (Oxford UP, 2012). Please join us on May 2, 6:00-8:00 PM at 19 University Place, Room 222. The event is free and open to the public and refreshments will be served.

Professor Garvey will present from her work in a talk entitled “Writing With Scissors: Scrapbooks as Archive & Activism” and Jenna Freedman, Director of Research & Instruction and Zine Librarian at Barnard Library, will offer a response. As is our custom, a good deal of time will be devoted to workshop-style discussion, so please bring your questions! We promise our speakers will stimulate your curiosity about a wide range of topics, including what scrapbooks (and scrapbook-makers) can reveal to us about U.S. literary, political and cultural histories and of course, about archives & activism.

For more information about Writing With Scissors, check out Christopher Benfey’s “Scrapbook Nation” post at the New York Review of Books blog here. You can also read more about Jenna Freedman’s work at her blog, Lower East Side Librarian.

We look forward to seeing you on May 2! Stay tuned on Twitter @NYUArchiveWork for news, updates and future announcements.

TOMORROW: “Why Documents Matter,” 6-8 PM

Here’s a reminder about tomorrow’s exciting workshop, “Why Documents Matter,” featuring Kristina Lundblad. Please join us! Information follows below.

The NYU English Department and the Workshop in Archival Practice present
“Why Documents Matter:
The Materiality of Literature”
Kristina Lundblad, Lund University Department of Arts and Cultural Sciences
November 29, 6:00-8:00 PM

19 University Place, Room 222
Free and open to the public; refreshments will be served

Kristina Lundblad, senior lecturer at Lund University’s Division for ALM and Book History, will present her research on the history of publishers’ book-bindings and discuss new ways of thinking about what book history can show us. Lundblad asks us to broaden our understanding of the materiality of literature to include not only the histories of books’ production and circulation but also ideas about what materiality does on a more ecological and psychological level. What are the major differences between digital materiality and analogue materiality when it comes to books and how do these differences impact archival studies?

“Why Documents Matter” – November 29, 6-8 PM

The NYU English Department and the Workshop in Archival Practice present
“Why Documents Matter: The Materiality of Literature”
Kristina Lundblad, Lund University Department of Arts and Cultural Sciences
November 29, 6:00-8:00 PM; 19 University Place, Room 222
Free and open to the public; refreshments will be served

Kristina Lundblad, senior lecturer at Lund University’s Division for ALM and Book History, will present her research on the history of publishers’ book-bindings and discuss new ways of thinking about what book history can show us. Lundblad asks us to broaden our understanding of the materiality of literature to include not only the histories of books’ production and circulation but also ideas about what materiality does on a more ecological and psychological level. What are the major differences between digital materiality and analogue materiality when it comes to books and how do these differences impact archival studies?

First Fall Workshop on Nov. 1: The View From Left Field

Workshop in Archival Practice:
The View From Left Field
November 1, 6:00-8:00 PM
19 University Place, Room 222
Supported by the NYU Graduate Program in English and Co-Sponsored by the Modern and Contemporary Colloquium
Workshop Leaders
Shelley Rice, Arts Professor in Department of Photography and Imaging and
Department of Art History and Exhibition Co-Curator
Jonno Rattman, Exhibition Co-Curator
Hillel Arnold, Archivist and Exhibition Consultant

Event Description: What does it take to bring images from the archives into the classroom and onto gallery walls? The View From Left Field, an exhibition co-curated by Professor Shelley Rice, Jonno Rathman and the late Michael Nash, answers this question by demonstrating the evolution of what Professor Rice has called a “world in a box”—an exhibition of photographs that grew from Professor Rice’s Fall 2011 seminar, “Toward a Critical Vocabulary” and has emerged as a showcase of the Daily Worker/Daily World Photographs Collection, part of the archives of the Communist Party of the United States of America (CPUSA) at New York University’s Tamiment Library & Robert Wagner Labor Archives. The View From Left Field marks an unprecedented fusion of pedagogy with institutional collaboration and offers its viewers a window into the histories of photography, journalism, American diplomacy and the lived reality of citizens in the grip of a 20th century indelibly marked by the Cold War. Co-curators Shelley Rice and Jonno Rattman, along with archivist Hillel Arnold, will speak about their experiences in designing and implementing The View From Left Field and will take your questions about the challenges and rewards of their innovative and in-depth engagement with the Tamiment Library’s archival holdings. Open to students, archivists and faculty from any department or institution.

Exhibition Information: The View from Left Field is currently on view (through November 17th) in the Department of Photography & Imaging at New York University: 721 Broadway, 8th Floor. The exhibition is dedicated to Michael Nash.

You can read more about the exhibition in a blog post by Shelley Rice here.

Image Citation: Czech Construction in Oshava, September 1951. Daily Worker/Daily World Photographs Collection, Tamiment Library & Robert Wagner Labor Archives, Box 121, Folder 20393.

Networked New York, March 9: More Details Here!

Networked New York

A conference on material, literary, and digital connections in the city

Friday, March 9 / 19 University Place, Great Room

Free and open to the public

10:00 – 11:15 Panel 1: Institution and Enterprise

Moderator: Thomas Augst

Joey McGarvey (New York University – English), “‘The Good, the Great, and the Gifted’: An Introduction to the New York Fruit Festival”

Reed Gochberg (Boston University – English), “Miniatures and Museums: Philanthropy, Cultural Institutions, and Edith Wharton’s Tableau Vivant”

Kristen Doyle Highland (New York University – English), “Finding New York City in the Bookstore”

11:15 –12:30  Panel 2: Community, Production, and Place

Moderator: Lisa Gitelman

Cecily Swanson (Cornell University – English), “‘Personal-Experiences-Personally-Experienced’: Gurdjieff and the Harlem Renaissance”

Micki McGee (Fordham University – Sociology), “The Yaddo Archive Project”

Edward Whitley (Lehigh University – English), “Digital Social Networks and New York’s First Bohemians”

1:30 – 2:45  Panel 3: Authors and Neighborhoods

Moderator: Lenora Warren

Karen Karbiener (New York University – Global Liberal Studies), “The Living Archive of Walt Whitman’s New York”

Mark Sussman (City University of New York – English), “Tenement Aesthetics: Howells, the Poor, and the Picturesque”

Josh Glick (Yale University – Film Studies and American Studies), “Memory at the Margins: Jewish American Fiction and the Lived Landscape of Coney Island”

3:00 – 4:00           Keynote

Marvin Taylor (Director, Fales Library & Special Collections), “Playing the Field: Thoughts about Social Networks and the New York Downtown Arts Scene”

4:00 – 5:30  Panel 4: Blogscapes and Digital Interaction

Moderator: Bryan Waterman

The Bowery Boys: New York City History

You Rach You Lose

Maud Newton

Walking Off the Big Apple 

5:30 – 6:30  Reception

Sponsored by the Project on New York Writing,the Colloquium in American Literature and Culture, and the Workshop in Archival Practice at New York University

 

Upcoming Archives Event of Interest: RSVP required!

Coming your way courtesy of  NYU Chapter of the Society of American Archivists
NYUChapSAA@gmail.com

Dear fellow archives and history enthusiasts,

Have you always wanted to hear David Ferriero speak?  Well here is your chance.

David S. Ferriero, the 10th Archivist of the United States will be speaking on Wednesday, November 30, 2011 at 1:00pm, at the Alexander Hamilton U.S. Custom House (located at One Bowling Green).

The event is open to all students and alums.  Don’t miss this opportunity.  Space is limited so reserve your seat today!  

Please RSVP at:  http://nyu.qualtrics.com/SE/?SID=SV_5mOUa507o3bhCx6

David S. Ferriero’s bio can be found at: http://www.archives.gov/about/archivist/archivist-biography-ferriero.html

Directions for Alexander Hamilton U.S. Custom House can be found at: http://www.oldnycustomhouse.gov/visitorinfo.asp

Events this Week: Jennifer Horne tomorrow and the Sylvestor Manor Working Group on Wednesday

Two events of interest are happening around NYU this week – check them out!
Welcome to the Nanny State: Spectacles of Child-Saving and the Films of the U.S. Children’s Bureau, a talk by Jennifer Horne

Tuesday October 25, 4 pm, Payne Room, Pless Hall 4th Floor, NYU

During the first thirty years of the twentieth century, the newly-born American underwent a most dramatic transformation in the popular imagination. From near public indiscernibility, the child became a central figure on the national stage and a catalyst for reform: a figure, specifically, of vulnerability, deserving of social welfare and specialized care. Custodianship of this figure took three new professional-official forms: Progressive education campaigns against early childhood death and disease; the development of a new branch of medicine, pediatrics; and the creation, by the federal government, of the Children’s Bureau, which would oversee the welfare of children through data collection. This presentation addresses the films of the U.S. Children’s Bureau, focusing on a quartet of neo-natal education films produced between 1919 and 1926, all made for the agency by educational film pioneer Carlyle Ellis. The results of the bureau’s industrious data collection and analysis were broadcast through a battery of print, graphic, audio and audio-visual formats. Motion pictures were added to the panoply of commonly used administrative tools not because of their accuracy or any claim to documentary authenticity, but because it was understood that, in their dramatic and affective technique, films could help deliver an image of civic liveness and community livelihood.

Jennifer Horne is Assistant Professor in the Department of Film & Digital Media at the University of California, Santa Cruz, and former Assistant Professor of Media Studies at Catholic University. She has a PhD from the Program in Comparative Studies in Discourse and Society at the University of Minnesota.  Her forthcoming book is entitled People-Making Motion Pictures: Spectatorship, American Citizenship, and the Better Films Movement.

The Sylvester Manor Working Group
Presents:

Unearthed Articles and Discovered Dissertations
Wednesday, October 26th
The Berol Room at Fales Library
(3rd fl Bobst)
12:30 to 1:30 pm

So NYU is currently examining the archives and excavating the grounds of Sylvester Manor on Shelter Island. . . What does that mean TO ME?? What is the Sylvester Manor Project? What use could the collection be to me?

Come hear graduate student LIZA HARRELL-EDGE and recent NYU history Ph.D. NOAH GELFAND talk about working with the collection and the numerous opportunities that await scholars from a variety of fields including:

-Literary Studies
-Food Studies
-Plantation History and the History of Slavery
-Indian Law